This (almost) monthly self-portrait series paid tribute to the endless cycle of life, death and rebirth, and was loosely inpired by the pagan costuming and rituals of Vanessa's Germanic ancestors. The headpieces were ephemeral in that they, like their components, only existed for a short period of time; each piece was assembled using mostly non-permanent materials, photographed, then disassembled. Each headpiece was built on a solid base; feathers and quills were inserted into foam blocks and secured with pins and medical tape. Skulls were held in place with rope and wire. No glue was used.